Monday, May 3, 2010
Creative Gallery
Here's my Google map.
Tuesday, April 20, 2010
Collaborative Trailer
I'm not sure how much of each individual project we need to include into the collaborative trailer, but I think the part of mine where the Kindle is basically taking over the books in the bookshelf might be what could be included. However, it might need some text to preface it simply because I've moved from just the idea of the Kindle. I would want this small section to represent all electronic readers or even the idea of digitization itself. The fact that it is taking away all of the books in its path is kind of representing the digital world taking over all aspects related to the printed book, such as publishing companies, authors, libraries, etc. Therefore, I suppose the text that could preface this small section could be something like, "The digital world is quickly making a more prominent path in our society, taking along with it everything related to reading and the printed book."
I tried to put the link in, but this was all I got:
http://www.youtube.com/watch?v=bl2jh2w3oU8
Tuesday, April 13, 2010
Tuesday, March 23, 2010
Creative Gallery
Tuesday, March 16, 2010
Draft of Essay
Here is the link to my draft.
Thursday, March 11, 2010
How the Author is Constructed on YouTube
Tuesday, March 9, 2010
Thursday, March 4, 2010
Argument for Essay
Monday, March 1, 2010
Completed Annotated Bibliography
Brantley, Peter. "Introduction: Homes for Good (Orphan) Books." Library Trends. Vol. 57.1 Summer 2008: 1-7. WVU Libraries. Project MUSE. Web. Accessed on 22 Feb. 2010.
http://muse.jhu.edu.www.libproxy.wvu.edu/journals/library_trends/v057/57.1.brantley.html.
1. This article discusses the fact that books have become yet another small portion of the overwhelming content available on the Internet during the twenty-first century. It touches on the worries publishers, authors and scholars. In addition, it brings into account the issue of books that are out of print or that the copyright is in question.
2. I believe this article is very useful in that it actually seems to be bringing forth the idea of including libraries in this growing digital world.
3. I feel as though I could use this source as a way to put a positive note on the idea of this growing digital world. Although it still does not necessarily shed light on to the idea of the future of the physical book, it does point out a way to help those "orphan" books as it refers to.
Buchanan, Matt. "Amazon Kindle and Sony Reader Locked Up: Why Your Books Are No Longer Yours." GIZMODO. 21 March 2008. Web. Accessed on 08 Feb. 2010.
http://gizmodo.com/369235/amazon-kindle-and-sony-reader-locked-up-why-your-books-are-no-longer-yours.
1. This article discusses the fact that the "first sale" doctrine that applies to physical books, CDs, and DVDs does not apply to the e-books that people "buy" on the Kindle. Basically, it states that you cannot really allow someone to borrow your "books" on the Kindle. If you wanted to sell your "book" you would have to sell the actual media where you have stored the "original" download.
2. This article is useful in that it brings further insight into what one might be getting into when buying a Kindle. It also displays the original, legal summary of the doctrine and additional facts.
3. I plan to use this source as a means of beginning my "investigation" of the future for books. In other words, how might people react to not being able to borrow his/her friends' books who own Kindles and not the hard copies? Will they decide to buy a Kindle of their own, or simply buy the hard copy themselves? Their decisions could potentially display a pattern as to where both the Kindle and the physical books are headed.
Doctorow, Cory. "Authors have lost the plot in Kindle battle." guardian.co.uk. Guardian News and Media Limited. 31 March 2009. Web. Accessed on 02 Feb. 2010.
http://www.guardian.co.uk/technology/2009/mar/31/cory-doctorow-kindle.
1. Cory Doctorow discusses the Authors Guild's claim concerning copyright infringement. They claimed that "only the rights holder could authorize an 'audiobook adaptation' of a book." The article deals with the Kindle's text-to-speech synthesizer.
2. This is a useful source, because it takes into account the legal aspect of the Kindle.
3. I believe I will be able to use this source to incorporate a different type of perspective, exploring the legal issues that authors and publishers must deal with when allowing their books to be published and bought on the Kindle. In addition, Doctorow discusses what he thinks the Authors Guild should do, rather than claiming copyright infringement. With this section of the article, I can also explore the possible shortcomings of the Kindle pertaining to the people who purchase the device.
Epstein, Jason. “The Coming Revolution.” The New York Review of Books. Vol. 47.17 2 Nov. 2000. WVU Libraries. Project MUSE. Web. Accessed on 28 Feb. 2010.
http://www.nybooks.com.www.libproxy.wvu.edu/articles/13858.
1. Here Epstein discusses traditional book-publishing functions – buying paper, setting type, ordering copies from a printer, storing books, taking returns of unsold copies, etc. – and how the fact that they will marginally affected by the fact that electronically delivered books are evolving more and more.
2. This article is a good source, because Epstein discusses the fact that digital publishing could in fact become dominant within the next decade, and possibly less. It also points out experimental websites that are being used by publishing companies to promote titles to people and allow them to purchase those titles on line.
3. With this article, I will focus on how people other than authors and readers will be affected by these continual changes. In addition, I will be able to discuss particular publishing companies experimental websites and where they stand within my research.
Epstein, Jason. "The End of the Gutenberg Era." Library Trends. Vol. 57.1 Summer 2008: 8- 16. WVU Libraries. Project MUSE. Web. Accessed on 22 Feb. 2010.
http://muse.jhu.edu.www.libproxy.wvu.edu/journals/library_trends/v057/57.1.epstein.html.
1. This article begins by discussing the negative impacts that the growing technologies of digitization and the Internet could inevitably have on the book publishing industry. However, Epstein also states that "digitization and the Internet have made the Gutenberg system obsolete but not the printed book (9)."
2. This article is useful, because it mentions different examples, such as the Library of America (a nonprofit enterprise to publish in permanent editions the works of American writers), of how some people are in fact trying to help the future of books.
3. I will be able to use this source to discuss how certain developments have been and are being made to help the future of books, authors, publishers, etc.
Epstein, Jason. "The Rattle of Pebbles." The New York Review of Books. Vol. 47.7 27 April 2000. WVU Libraries. Project MUSE. Web. Accessed on 24 Feb. 2010.
http://www.nybooks.com.www.libproxy.wvu.edu/articles/126.
1. This article is basically Jason Epstein’s personal account of the changes of trade publishing. He begins by taking the reader back into what it used to be like, starting with the year 1958 when he first joined Random House (an American publishing company).
2. This article is a good source, because it takes a look at a small publishing company and demonstrates how the constant advances in the technological world affected it and those involved. After reading this article, I believe the benefit of an author being involved with a small publishing company is that their books will receive more attention from the editors. Whereas agents appear to focus more on initial impressions of what will be a best seller.
3. I will use this source to get a look into the inner workings of publishing companies. Afterward, I can discuss the effects of the notion of the ebook and the World Wide Web upon the changes of those companies.
Epstein, Jason and Dane Neller. On Demand Books. 2004. Web. Accessed on 24 Feb. 2010.
http://www.ondemandbooks.com/home.htm.
1. The focus of this website is on the Espresso Book Machine (EBM). This machine, being called "the ATM of books," can be used in order to print books that are actually out of print. It provides information on how the machine works, the locations in which an EBM can be found, and the history of On Demand Books itself.
2. This site is useful because, without having to search for a machine to view in person, it provides a great deal of information in understanding how the machine works and the benefits of it, both of which are also provided in a brochure linked to the website.
3. I believe I could use the information provided by this source as a type of counter argument to where my project was originally headed. This way I will be able to provide two sides, instead of simply any biased opinion I might have had. With this information, I could discuss how this invention could in fact help libraries, bookstores and even self-publishing authors.
Fister, Barbara. "Trade Publishing: A Report from the Front." The Johns Hopkins University Press 2001: 509-523. WVU Libraries. Project MUSE. Web. Accessed on 24 Feb. 2010.
1. This article focuses on trade publishing and what the future holds for the industry. One way Barbara Fister writes on the issue is by utilizing interviews with editors, publishers, agents, and many others who are involved in the industry.
2. The primary audience for this article includes libraries and scholars. This article is important, because it demonstrates the connections between libraries and publishers. In addition, concerning those involved in the industry, it discusses their roles, their thoughts on the pressures the industry is facing, and what their predictions are for the future.
3. For my research, I believe I can incorporate this source by bringing into play the point of views of those being most affected by the changes in the book industry. I will also incorporate insight on how Stephen King’s 2000 ebook-only Riding the Bullet caused publishers to seriously think about how they must plan for the electronic future.
Gibbons, Susan. “Ebooks: Some Concerns and Surprises.” Portal: Libraries and the Academy. Vol. 1, 1. Jan. 2001: 71-75. WVU Libraries. Project MUSE. Web. Accessed on 28 Feb. 2010.
1. In this article, Susan Gibbons follows a study where six libraries in Rochester, New York tested the assumptions involved in incorporating ebooks into their selections. A Library Services and Technology Act grant was awarded in order to figure out the feasibility of using ebooks in libraries, including academic, school and public. This study consisted of each library receiving five ebook readers (two SoftBooks and three Rockets) and having every patron and librarian complete an Electronic Book Evaluation Survey.
2. Although this article does not focus on the Kindle, I believe it is important, because it is a segue into libraries’ positions within my research. In addition, this source demonstrates how the devices used for ebooks have changed by supplying these two additional examples.
3. I believe I will be able to use this source as a way to determine where some libraries stand on the issue of whether to incorporate even more of the digital world by providing access to ebooks. This will also provide an insight as to what the concerns of libraries are on the issue and how the patrons who participated in the surveys responded to the ebooks.
Wyatt, Edward. "Electronic Device Stirs Unease at Book Fair." TimesPeople. The New York Times Company. 02 June 2008. Web. Accessed on 08 Feb. 2010.
www.nytimes.com/2008/06/02/books/02bea.html.
1. This article talks about the sales of the Kindle and the decline in traffic at the BookExpo America compared to previous years. It discusses the fact that publishing executives have worries concerning the development of this technology and at the same time mentions that the device has also gained fans in the publishing industry.
2. This article is useful, because it touches on authors and publishers' views on the matter.
3. Therefore, I may be able to take into account yet another perspective.
This source will also allow me to further look into the idea of the fate of the physical book.
Tuesday, February 23, 2010
Reflecting on Project...
Monday, February 22, 2010
Trailer yet again.....
Tuesday, February 16, 2010
Annotated Bibliographies
http://gizmodo.com/369235/amazon-kindle-and-sony-reader-locked-up-why-your-books-are-no-longer-yours.
1. This article discusses the fact that the "first sale" doctrine that applies to physical books, CDs, and DVDs does not apply to the e-books that people "buy" on the Kindle. Basically, it states that you cannot really allow someone to borrow your "books" on the Kindle. If you wanted to sell your "book" you would have to sell the actual media where you have stored the "original" download.
Doctorow, Cory. "Authors have lost the plot in Kindle battle." guardian.co.uk. Guardian News and Media Limited. 31 March 2009. Web. Accessed on 02 Feb. 2010.
http://www.guardian.co.uk/technology/2009/mar/31/cory-doctorow-kindle.
Wyatt, Edward. "Electronic Device Stirs Unease at Book Fair." TimesPeople. The New York Times Company. 02 June 2008. Web. Accessed on 08 Feb. 2010.
www.nytimes.com/2008/06/02/books/02bea.html.
Monday, February 15, 2010
Tuesday, February 9, 2010
The Multimedia Author
Although I am not sure I would agree on labeling someone who writes a text message or creates a status on Twitter a multimedia author, I do respect Candice Breitz's version of multimedia authorship, whether she chose to be labled that or not. I think it is a very interesting idea to actually look into the lives that various artists have touched simply by having those people sing songs of the artists they love.
The claim on authorship, or basically receiving a copywright for one's work so that it or any part of it cannot be copied, seems to be growing more and more essential as technology and the idea of the multimedia author grows. With every knew medium that is created and improved upon, more and more people are able to simply take pieces of others' works and mold it into what they want it to be. Therefore, I believe Lessig is right in saying that "no artist works in a vacuum." And that "every artist reflects - consciously or not - on what has come before."
It is completely understandable for an author and/or artist to want their works to be copywrighted. However, I am not sure if it is always necessarily a bad thing if someone wishes to take a piece of that author's and/or artist's work and use it in their own creative way. Who knows, they could end up using that piece of work in a way in which that author/artist never thought of before. For example, in poetry, it is sometimes very useful to see your own creative line or entire stanza displayed in a completely different manner.